In the Garden of Answers by Merri Ukraincik

If God with one breath

molded me out of rib and clay

into a mother among the gladioli,

though a paler flower with parts less regal –

sinew and soft-petaled hands

pistil and rotating mechanisms –

why push me against the thorns

of soiled failure, the weeds of which confound

their elbows up into my throat

until I am not sure what to make of

this growth so tall and unrecognizable?

Why, when motherhood

means to garden Your garden,

do You not respond to me when I call out,

entangled among the baptisia and the boxwood?

You pretend instead, I think, not to see me,

my colors dimmed over time,   

milkless breasts weighed down

like rain-soaked peonies on their branches.

You darken the sun, hide the hose,

leave me to confront the dandelions on my own,

to slither like a worm, unseeing,

only my heart to guide me,

when You know better than I

that love is hardly enough

to nurture a plant the way it needs to thrive.   

Though You say nothing to answer

the mumbling of my morning prayers –

silence is Your jam,

You never do –

I remain unguarded, open-lipped,

willing to show my truths,

even during casual meditations on the coffee

I drink in the garden in the late afternoon,

where I listen (yet, still) in the yawn of a breeze

or the swish of a leaf

for Your belated reply.

For I am not without the hope or faith

that the strangest things

might make a sudden appearance,

flourishing out of the blue –

maybe a rosebush planted long ago

that has not blossomed since

or a seed blown across the subdivisions of suburbia

that has found a new home here.  

Your no might come in the scrape of

a dried branch against my ankle.

Or in the hush of a perfumed lilac

I may well hear You say,  

Here I am.

You do not tend this sacred ground alone.


Merri Ukraincik is a writer whose work has appeared in TabletLilith, Hevria, and the Forward, among others publications. She is the author of I Live. Send Help: 100 Years of Jewish History in Images from the JDC Archives (New York, 2014).

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